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Despite the historical violence from which his characters emerge, the voices of Diaz’s narratives are a vital force, full of lightening-fast recall of pop cultural touchstones, hip-hop, historic and folkloric allusions, and the minutiae of high geekery, from sci-fi film, to gaming, to comic book lore. Mark’s Comics above.) Like a nerdy New World Joyce, Díaz works in a dizzying swirl of references that critic and playwright Gregg Barrios calls a “deft mash-up of Dominican history, comics, sci-fi, magic realism and footnotes.” The writer’s unique idiom---swinging with ease from the most streetwise and profane vernacular to the most formal academic prose and back again---interrogates categories of gender and national identity at every turn, asking, writes Barrios, “Who is American? ” Diaz's narrative voice---described by Leah Hager Cohen as one of “radical inclusion”---provides its own answers.
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